![]() ![]() ![]() And so he’s spent the last two decades mostly off in his own wild margins, exploring fantastical Victorian-influenced erotica ( Lost Girls), occult-informed fictionalizations of the Jack the Ripper story (the truly mind-blowing From Hell), and, among a great many other things, smoking a lot of hash. Now 62 years old, Moore is on the very short list of people responsible for why mainstream audiences - and corporations - treat superheroes as very serious stuff.ĭespite his status as a comic-book genius, Moore has disavowed some of the genre work - along with its Hollywood adaptations - that made him famous because of what he sees as the shady business practices and shallow creativity of corporate comic-book publishers and the studios behind the characters’ onscreen incarnations. In emotionally and intellectually complex masterpieces of genre deconstruction like his work on Watchmen, Batman: The Killing Joke, and Swamp Thing, the lifelong resident of Northampton, England, showed how all of these crime-fighters running around in capes and masks could transcend simple entertainment and instead function as some of our most culturally potent myths. With his legendary run of comic-book writing in the 1980s, writer Alan Moore changed the way we think about superheroes. ![]()
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